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“A strong work of lit­er­ary fiction…its rich­ness reminds me of Antho­ny Doerr’s All the Light We Can­not See,” writes prize-win­ning author Mark Spencer.

 

 

In the pic­turesque col­lege town of Marsh­ford, Mass­a­chu­setts, a young man named Math­ew McK­in­non is

miss­ing and pre­sumed dead. The year is 1983, three years into the Rea­gan Pres­i­den­cy and the begin­ning of the AIDS epi­dem­ic. 

 

The archi­tect Nolan Gath­er­ing, to whom the young man was appren­ticed, is arrest­ed and charged with mur­der. The Dis­trict Attor­ney seeks the death penal­ty, which has been recent­ly re-instat­ed in the Com­mon­wealth,

because the mur­der was alleged­ly com­mit­ted dur­ing the sex­u­al assault of the young man. 

 

The accused enlists the aid of his child­hood sweet­heart, Rebec­ca Quinn Mar­tin, a nation­al­ly renowned crim­i­nal defense attor­ney.

 

 

The Sor­rows of Gath­er­ing evokes Harp­er Lee’s To Kill a Mock­ing­bird and David Guter­son­’s Snow Falling on Cedars.  By weav­ing a com­plex and com­pelling sto­ry around a cen­tral char­ac­ter accused of mur­der, the nov­el address­es sys­temic prej­u­dices that per­vert pub­lic atti­tudes, infect our legal sys­tem, and dev­as­tate

per­son­al lives.

 

The Sor­rows of Gath­er­ing is more than a legal dra­ma.  Over mul­ti­ple gen­er­a­tions, the novel’s themes of love and val­or, sex­u­al­i­ty and sac­ri­fice, betray­al and redemp­tion, time and loss, growth and awak­en­ing make it a work of seri­ous fic­tion.  “Like any affect­ing sto­ry, The Sor­rows of Gath­er­ing is both instruc­tive and emo­tive, ignit­ing empa­thy, a kind of moral integri­ty, and a poten­cy strong enough to raise the spir­it.”

 


D.A. Dorwart © 2026. All Rights Reserved.

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